Panasonic DMC-FZ50S 10.1MP features a powerful f2.8 Leica DC lens with 12x optical zoom. The lens focal length is equivalent to 35-420mm on a 35mm film camera and is enhanced by Mega O.I.S., Panasonic’s exclusive Optical Image Stabilizer system.
The DMC-FZ50 boasts a 10.1-megapixel high resolution CCD for its image sensor and Venus Engine III for the image processing LSI, making it possible to record a image at maximum ISO 1600 high sensitivity setting at full resolution. Furthermore, by dramatically reducing the noise levels that challenged its predecessor, the DMC-FZ50 is able to capture 10.1-megapixel full resolution images even in high sensitivity recording.
To fight against the major cause of blurred images, Panasonic invented the Mega O.I.S. system taking advantage of its superior lens technology to compensate for handshake–a feature which has long been incorporated into the Lumix range of cameras. In addition, to also compensate for the other major cause of blurred images–movement of the subject–the FZ50 is also equipped with the world’s first Intelligent ISO Control (hereafter I.I.C.) and maximum ISO 1600 high sensitivity recording capabilities within the advanced image processing LSI Venus Engine III. When set to the I.I.C., the Venus Engine III detects the subject’s movement and adjusts the ISO setting and shutter speed to best suit the subject movement and the light condition automatically. Panasonic’s excellent image stabilizing system allows users to take clear, crisp images in any situation automatically, leaving everything to the camera.
From a point of view of further improving the usability of its predessor, the DMC-FZ50 is equipped with a new Function Button which serves as a shortcut to quickly set frequently-used settings such as recording image size, light metering, AF area, white balance, and ISO sensitivity. Also, thanks to the newly incorporated custom setting function, your frequent setting patterns can be memorized and it can be instantly applied by simply selecting this function with the mode dial. The 2-inch LCD flips out to 180 degrees, making it easier to view even when shooting from high or low angles. As for optional accessories, the DMC-FZ50 is now compatible with TTL external flashes. Finally, the battery life is greatly extended by approximately 29% compared with its predecessor allowing the FZ50 to shoot approximately 360 images on one charge (CIPA).
The Lumix DMC-FZ50 faithfully inherits the well received basic specifications from its predecessor FZ30 such as the manual focus ring and manual zoom ring, yet enhances the image sensor up to 10.1-megapixel. Noise is drastically reduced with this new FZ50 achieving a rendition of even higher quality images.
Helpful consumer’s review
In the past, I’ve owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special.
The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program.
The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well.
The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive.
Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it’s unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it.
Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand. The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I’ve used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits.
